Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Thursday, September 9, 2010

"You're a Million Miles Away and I Miss You So Today"

The old adage proclaims that absence makes the heart fonder, and is often irritatingly true. Like many of the millions of South Africans temporarily or permanently living outside the country, I miss home. A lot. Not just Mrs Ball’s Chutney or NikNaks (both of which I can buy for exorbitant prices from a shrivelled ex-Pretorian). Not just the mountain or the sea or the weather or the food. It’s that and other things too. I miss walking along a road and seeing people of all different shapes, sizes and colours. Or hearing different languages and practicing my faltering isiXhosa with ever-patient tutors. I even miss catcalls, shout-outs and rude gestures on the street – being politely first world is just no fun. In short, I long for the gees, and not only that belonging to the World Cup.

South Africa is cheeky, dangerous and hilariously funny, often because if it wasn’t, it would just be so much more sad. It’s a country with raw emotion, burgeoning creativity, a lack of electricity and bandwith and an overflow of bright, brash colour. So whenever I get overly sentimental (now, you say?) and bored with the bland safety and inane comforts of the first world, I play these songs.

1. Jack Parrow – “Cooler as Ekke”

Crazy guy, crazy song. One that only a true South African would understand. Zef rap is astonishingly comforting from outside the border, although I’m sure that once home it might not be my most often played song.

Best Line: “Jy’s die ou met die new, fresh look, Ek’s die ou met die Pep store broek”

2. Freshly Ground – “Chicken for Change”

Who could be sad or stand still while listening to any of this band’s songs? We started shuffling to Doo Be Doo and carried on from there. This is their new politically charged song, which showcases famous characters and is a Zapiro collaboration.

Best Line: It’s not a line at all, it’s Helen Zille’s dance moves. She’s awesome!

3. Karen Zoid – “Aeroplane Jane”

Gorgeous artist and, in my opinion, her bestest song! It’s so beautiful and evocative that you should listen to it instead of read this. I love the funny lyrics paired with the plaintive melody.

Best Line: “And the strange man next to me, don’t say thank you, don’t say please…he just cut my cheese”

4. Mandoza – “Nkalakatha”

I’m bopping in front of my screen right now (sadly in quite a white way). And although I don’t know what it means, I know all the words. The ultimate party song!

Best Line: “Nkalakatha… … Mandoza

5. Soweto String Quartet – “Millenia”

This band has such a happy sound, and brings back Kirstenbosch picnics (overcrowded blankets, spilt wine, wind and fun)

Best Line: The looks on these guys’ faces says it all! I love their music videos.

6. Seether – “Careless Whisper”

If this choice is cheating because they are now based in the United States, I don’t care. To take a beautiful melody from whiny to rip-your-clothes-off sexy is quite a feat, and one I’m forever thankful they achieved.

Best Line: “There’s no comfort in the truth, pain is all you’ll find”. And his voice. Mmmm

7. Parletones – “Push Me to the Floor”

How do I choose just one song? I never have favourites and they are beyond a doubt my favourite SA band.

Best Line “Don’t stand next to me, I love the smell of ecstasy, it makes me feel inspired”

8. Gang of Instrumentals – “My Number One”

This song is such a fusion of cultures and music styles and just works. Whoops – I’m bopping again. Great South African band, I could dance (or just shuffle) to this anywhere!

Best Line: It’s pretty much “Mother of my baby, you are my number one”. A lot.

And now I’ve had my SA fix and I’m smiling. Have a great weekend everyone!

Wednesday, June 30, 2010

HAVANA - Steamy Nights, Sultry Days

Cuba is a country of contradictions, complications and compromises, where instead of providing answers, visiting only poses more questions and uncertainties about the fascinating mix of people and cultures. To speak about the beauty and generosity of the people, the lushness of the forest, the idyllic turquoise and white beaches and the magnificent patchworks of crumbling colonial buildings seems to denigrate the country into cliched brochure-speak.

But it’s all true. Cuba is not the most comfortable country (far truer for citizens than visitors), where the heat reaches unimaginable humidity levels without breaking, plumbing works only occasionally and even the government-owned hotels and resorts are not exempt from flies, mosquitoes and bed bugs – great levelers in a genuinely unequal system. Yet it is one of the most authentically beautiful; besides its physical aspects the island has an enthralling history, a complex social situation and is one of the only places in the world virtually untouched by contemporary American culture. The fascination and beauty of the location does much to distract from the occasional discomfort (although it is hard to look consistently glamorous in such a sweaty, sticky and yet sexy place).

Culturally, the talent is astounding, and incredibly accessible. The amazing quality of live music at every meal renders one almost inured to it after a few days, yet leaves one surprised at t
he silence surrounding meals back at home. Cd's from bands we had listened to for hours and paintings from people we met and with whom we had discussed the challenges of Cuban life have become personal souvenirs of the experience, far more treasured than any anonymous mementos would have been.

Few things measure up to walking along a narrow Havanan street in the dark, the inter
iors of buildings lit up in relief as people eat, play or watch sport on television. Groups of young men kick at soccer balls or smoke on street corners, children run around chasing each other and women chat comfortably through open doors or on the edge of pavements. We undeniably stand out as being foreign but attract no hostility; everyone wants to know where we are from, what languages we speak, how we live and what we think of their country. Many implore us not to believe the international perceptions of Cuba – they are anxious to show us the reality of the country, the citizens, the governmental systems and the pride. Possibly due to half a century of international semi-isolation, Cubans, even dissenters, tend to be intensely nationalistic. And they have reason to be proud. Even engrained poverty is presented with beauty and style, which does not take away from the hardships they face.

T
he sweat and sweet flow
er smells of Havana, the open doorways leading to labyrinths of households, the generosity of spirit, earnestness and inherent pride in what is good – these are things which will stay with me forever...or at least until my very next trip.